These old and dusty tiles have a pattern of overlapping red circles. It is a fantastic texture for ancient houses and Renaissance interiors.

Old oxidized papers stuck on a wall forming a stylish wall decoration for interior design.

This is a sandy ground with a lot of dunes.

If you are texturing a desert, it is the go-to material.

These clay tiles have a rather rough surface and each beige tile is paved at a certain angle giving it a bumpy feel.

It is a wallpaper having a virtual 3D pattern. The visual illusion creates virtual tunnels on the paper.

Paper texture can be found on the surface.

These tiles consists of a few patterns including flowers, diamonds and zigzag lines. The colours are set as orange shades.

This retro style tile is fascinating for sitting rooms.

This retro marble floor has a red fan-shaped pattern and alternating colours of dull red and yellowish white.

These old and dusty tiles have a tertiary coloured vintage flower pattern. It is a brilliant texture for ancient houses and interiors.

It is an old yellow brass metal plate having a lot of specks and rust on the surface. It can be a texture for metallic wall or home decor such as vases.

This cement block has 3 fan-shaped structures allowing them to interlock together. The blocks are arranged in brick bond format with alternating colours of grey and yellow.

It can be used to materialise footpaths or walkways.

These hexagonal paving tiles are of type terracotta.

The tile colour, grout colour, amount of dents, amount of scratches, surface finishing, tile height, edge wear, damage level, grout width etc. can be tweaked by the Substance SBSAR file.

They are rough terracotta tiles having yellowish and sandy colours. Damages, dents and scratches can be found on these hexagonal pavers.

The tile colour, surface roughness, tile height, edge smoothness, edge wear level, grout colour, grout width, amount of dents, amount of scratches, damage level etc. can be managed through the Substance SBSAR file.

It is a texture of lemon skin. Oil glands can be found on the surface. Remember to apply the scattering / subsurface map to create realistic peel.

This material can be used together with Lemon Slice Cross Section
(Food 0020) to produce a perfect slice of lemon.

The oil gland colour intensity, green tint intensity, skin texture, wrinkle length etc. can be managed through the Substance SBSAR file.

This lemon slice is a cross section of a lemon.

This material can be used together with Lemon Skin Texture
(Food 0021) to produce a perfect slice of lemon.

The color of the peel, albedo(skin), juice sac, speck color, color variation, amount of oil glands, columella height etc. can all be changed by the Substance SBSAR file.

It is a machinery case having a yellow coating, but there is a lot of chipped paint.

The colors of paint and rust, amount of rust, cracks, dents and dirt can be adjusted with the Substance SBSAR file.

This shiny piece of metal is a brushed gold having numerous radial polished spin marks.

To apply the anisotropic effect, the anisotropy angle and level maps must be used.

However, the Blender add-on Node Wrangler will NOT automatically attach them. They must be added to the Principle BSDF node manually.

It is the classic high voltage warning symbol in yellow and black contrast.

It is the chemical weapon warning symbol in yellow and black contrast.

It is the iconic radiation hazard warning symbol in yellow and black contrast.

They are colorful wood planks which are highly worn and have a lot of cracks and scratches.

The amount of planks, aspect ratio, gap width, offset random, amount of wood grains, amount of remaining paint, amount of scratches and edge wear level can be changed through the Substance 3D SBSAR file.